The Great Gatsby Soundtrack

By Maya Devereaux, Staff Writer
@MayaDevereaux

While hailing from the town that inspired West Egg in F. Scott Fitzgerald’s The Great Gatsby certainly adds to my excitement for Baz Luhrmann’s film adaptation out next week. A long list of other factors account for my increasing enthusiasm— the soundtrack and Leonardo DiCaprio, just to name a few.

The star-studded cast, which includes Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton and Isla Fisher, seems to be going head to head with the also star-studded soundtrack that has been recently revealed to the public. Jack White’s rendition of U2’s “Love is Blindness,” can be heard in the film’s first official trailer. The rendition is enough to send chills down your spine as you watch Leo’s character Jay Gatsby toss his abundance of silky shirts at Daisy Buchanan in the novel’s famous scene.

To name-drop a few artists in the fabulous line-up: Gotye, Sia, Fergie, Will.i.am, the xx, Lana Del Rey, Florence and the Machine, Beyoncé, and Jay-Z. An article on MTV describes Lana Del Rey’s “Young and Beautiful,” the film’s original song, as somber-sounding, which seems only fitting for the mood of the film.

In case you haven’t yet seen the trailer or any of Luhrmann’s other films for that matter, they are over the top. So who better to include in the soundtrack than Beyonce? Combined with Andre 3000, she has produced a cover to Amy Winehouse’s “Back to Black.” Though many are thrilled by the sultry and dark cover, Winehouse’s family is certainly not, especially Winehouse’s father.

According to an article by the Huffington Post, Mitch Winehouse, father of the late singer, has taken to Twitter to voice his discontent with the portrayal. He says the cover “doesn’t bring anything to his daughter’s 2006 original.” Winehouse also states in a tweet from April 2 that he had no idea his daughter’s song was going to be covered by Beyoncé. In response to multiple tweets from the disgruntled father, fans from both parties have taken to the Internet to defend both sides.

One thing for sure is that Baz Luhrmann’s take on the 1920s novel and his overall filmmaking style demand something unique from its predecessor— the 1974 adaptation with Robert Redford— both musically and stylistically.

Check out the trailer below:

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