Tagged: Grammy

MUSE: Grammy Predictions

By Olivia Shur, Staff Writer

This year’s Grammy nominees are a competitive bunch, judging from the list that includes everyone from veteran winners like Tony Bennett to up-and-coming artists like Lana Del Rey. Here are a few predictions from five of the most anticipated categories.

Record of the Year: “Radioactive,” Imagine Dragons

A band that was little known a year ago has quickly risen to the top of the charts. “Radioactive” is one of their smash hits, and with its unique pop-rock sound that is impossible not to head-bang along to, its a solid candidate for this category.

Song of the Year: “Same Love,” Macklemore & Ryan Lewis

With its powerful lyrics and bittersweet melody, this song soon became an anthem for the gay rights movement. The hit single has some tough competition as it goes up against Katy Perry’s “Roar” and Lorde’s “Royals,” but it truly deserves this award out of all the other nominees.

Album of the Year: Red, Taylor Swift

This one will probably cause some groans and eye-rolls, but let’s be honest: It’s Taylor Swift. She’s won Grammys in the past and received a tremendous amount of praise for this album’s diversity, all while successfully transitioning into the pop world and still holding on to her country sound. If T-swift’s album doesn’t win in this category, it’s sure to win for Best Country Album.

Best New Artist: Ed Sheeran or Macklemore & Ryan Lewis

This is a tough one. Both artists are equally talented and have made a name for themselves this year, but with completely different sounds. Sheeran wooed crowds with his gorgeous vocals and flawless guitar playing, while Macklemore & Ryan Lewis have produced both meaningful tracks and bumping club hits. Either one could take the award.

Best Pop Vocal Album: Pure Heroine, Lorde

At just 17 years old, Lorde would be one of the youngest artists to win this award. She’s skyrocketed to fame this year, wowing everyone with her incredibly mature voice. Her song “Royals” was a smash hit, and the rest of the album is equally good. She totally deserves the win.

Catch the 56th Annual Grammy Awards this Sunday, Jan. 26th at 8 p.m. on CBS.


Grammy’s recap

By Jasmine Ferrell, Staff Writer

J-Lo pushes the boundaries outlined in the dress-code memo sent to all Grammys attendees/PHOTO VIA extratv.com

J-Lo pushes the boundaries outlined in the dress-code memo sent to all Grammys attendees/PHOTO VIA extratv.com

Last night was one of the biggest events of February. No, not Groundhog Day. It was the GRAMMYs. As with any award ceremony, there are just as many people watching to see who wins the awards as there are to see what unfolds during the ceremony. When approaching something of this magnitude it always helps to break it up.

First off: the fashion. Before the event even took place the fashion was causing a stir. Prior to the GRAMMYs, a memo had been sent out to all the attendees, asking for a more conservative attitude when dressing for the awards. This meant less cleavage, less side boob, and more clothing.

The first to test the memo, and arguably the person who caused it to be sent out in the first place, was J-Lo. She wore what is sure to be an unforgettable leotard, dress mash-up. In her defense, the memo didn’t say anything about the legs.

Carrie Underwood's stiff gown, onto which cheesy images were projected throughout her performance/PHOTO VIA usmagazine.com

Carrie Underwood’s stiff gown, onto which cheesy images were projected throughout her performance/PHOTO VIA usmagazine.com

My ultimate favorite of the night was Carrie Underwood. During her performance, her stiff dress caused her to stand absolutely still. And as if that weren’t bad enough, she then proceeded to have horribly cheesy computer graphics projected onto said stiff ball gown. Someone really should have stopped her.

Then there were the performances of the night, ranging from anti-climactic to completely bizarre. The night started with, for lack of a better word, a confusing performance of “We are Never Getting Back Together” by Taylor Swift. The performance was set up to be a mix between a three ring circus and Alice in Wonderland and I’m pretty sure she had the stage maxed out to capacity. The worst part? I don’t even see how all those characters related to the song. Later, it rained onstage, but that was just for Fun. (Feel free to enjoy that pun.)

And finally, the actual awards and acceptance speeches. Among the outrageousness here, Kelly Clarkson managed to insult and then compliment someone in about fifteen seconds, saying, “Miguel, I don’t know who the hell you are, but we need to sing together.”

The night was not without its fabulous highlights and embarrassing disasters. As always and we can all relish and relive them on YouTube until next year, or at least until the Oscars.

Taylor Swift’s GRAMMY performance of “We Are Never Getting Back Together”